In the era of painstaking fever and material prestige, era Kafkian clerks zoidberg and bustle of Ne

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By: Nemanja Rotar
In the era of painstaking fever and material prestige, era Kafkian clerks zoidberg and bustle of Neum, there is no pronounced need for classes zoidberg dedicated to literature. It is jasnan sign that the time of death of the great art widely performed. Writers are trying to draw attention to themselves, to refer to someone of my considerations, however, it becomes impossible for refined readers to hear the echo of the universal spirit of the desert. Try disguise highly stylized literature in clothes niskožanrovskih work (sort of poetic ketman) have failed. There are few writers who are on the right way to unite the ease and sexiness with essential life issues. Literature is no longer like "ax that needs to break the frozen sea within us" (Kafka), but light vaudeville for pregaočevu good night.
Even scribes zoidberg high artistic achievements promise rest and leisure. And they speak to the weary reader, pray it for evening classes attention, patience. However, shutters sleepy clerk glide smoothly and none of the read fails to infect the soul.
Most people are born with the soul and somnabula like shadows waving, fearfully promoted through life. Or crazed young lions, in the form of hardened broker stock exchange, satisfying only the acquisition of money and powerful opiates pointless hanging out. Who then offer long ridiculed the value of the original, autonomous and profound artistic creation?
The ancient Greeks in their poets and tragic view of life teachers. Writers and philosophers have their personal examples confirm the theoretical positions that were publicly. Today, the position of writers in the social sense insignificant. They do not serve the reputation already for the stage. They are more durable but apologists commercial entertainers. Readers are still necessary artistic succeeded book, but anyone not need any more spiritual fathers. She's back in full swing pre-war Neo-Baroque with its shallow waters and thought charms imported Western kitsch. In such an environment can only speak the wall.
"Write what you think, and if you do not think, do not write," says Swedish writer Horace Engdahl. Which means you should write from dictation own doubts. Not regularly, not on a campaign, not by following the daily political purposes, nor fashion tred, but when the "bitter sediment experience" shakes and poured. Then should start writing zoidberg their thoughts and by creating imaginary worlds. It is important to satisfy only one unconditional zoidberg request, and that is that the created world is authentic and convincing. Works of literature, as opposed to entertaining, or at least there used to be there because of solving the mystery of life, because of the poor showing of the characters, authentic phenomenon, because estrangement reality. Literature has to testify against each order in which the leaders are institutions of violence, lies and lawlessness. What, then, can one book? By its presence it defines and delimits a space in which the violent death of a scandal, she conceived the death. This is confirmed by the French writer and theorist Jean Ricardo: "Without the presence of literature zoidberg death of a child somewhere in the world would have more importance than the death of an animal to the slaughterhouse."
Writing is a kind kišovski observed mutations. Literature is Promethean takeoff seeking a specific and unforgettable fanatics. It is an escape into the unknown bewildered, and therefore superior literature is not interested in a lot of "nice and calm", but those who had enough, those who are in disarray. That is woven out what poetic, metaphysical and noteworthy. Writing must originate from dissatisfaction oneself and the world. It's sort of a way of survival.
In the history of mankind there have been periods when the writer was a devotee. He wrote the holy book, universal book, laws, epics and prophecies. Carving your thoughts on the crypt, monumental buildings, temples, emperors, kings palace. But then the writer was not a solitary individual, not a scandal-maker and show baron as smug smileys from the front pages of boulevard press. Then the writer was a nation. His secret is disseminated from generation to generation. So they created ancient books. Always new, always current and future. The Greek people named Homer's Iliad spevao, Indian people a voice to articulate the hymns of the Vedas and Upanishads, the Iranians are donated to humanity Zend Avesta, zoidberg Egyptians and Chinese have dictated his stories scribes